Art@Site www.artatsite.com Claes Oldenburg Batcolum
Artist:

Claes Oldenburg

Title:

Batcolum

Year:
1977
Adress:
Harold Washington Social Security
Website:
www.wikipedia.org:
A plaque on the sculpture reads, "Oldenburg selected the baseball bat as an emblem of Chicago's ambition and vigor. The sculpture's verticality echoes the city's dramatic skyline, while its form and scale cleverly allude to more traditional civic monuments, such as obelisks and memorial columns.
Batcolumn stands outside the Harold Washington Social Security Administration Building at 600 West Madison Street near downtown Chicago. The United States General Services Administration commissioned the sculpture, which was dedicated in 1977. Oldenburg originally designed the sculpture to be painted red, but he abandoned that idea to distinguish it from Chicago's Flamingo sculpture by Alexander Calder. Oldenburg instead had Batcolumn painted gray, which he also hoped would make the sculpture easier to see against the sky.
Batcolumn (or Bat Column) is a 101-foot-tall (31 m) outdoor sculpture in Chicago. Designed by Claes Oldenburg, it takes the shape of a baseball bat standing on its knob. It consists of gray-painted Corten steel arranged into an open latticework structure.< br> The sculpture has been a source of controversy. On the day of its dedication, a number of people came to protest, holding signs saying"Tear it down" and"Expensive joke". However, Batcolumn has also had its defenders. A 2005 Chicago Tribune article named it one of the newspaper's favorite Chicago sculptures (along with Standing Lincoln and the lions outside the Art Institute of Chicago Building).

www.publicartinchicago.com:
Like all of Oldenburg’s monuments, Batcolumn combines a humorous and irreverent attitude toward popular objects with meticulous construction details and handling of scale and proportion. It can alternately be seen as a reference to historical monumental columns, a salute to the American institution of baseball or a tribute to the steel industry.
On observing Chicago’s flat terrain, the Swedish-born artist once commented, “the real art here is architecture, or anything that really stands up.” .