www.sambadrome.com:
Apotheosis Square, or Praça da Apoteose, is part of the Sambadrome Marquês de Sapucaà, the purpose built stadium of Rio Carnival that hosts the annual parade of Samba Schools. Praça da Apoteose was designed by the father of modern Brazilian architecture Oscar Niemeyer and is located in the area at the end of the Samba runway between the allocated chairs (cadeiras) of sectors 12 and 13. The Apotheosis Square is recognized by the grand arches installed at the end of the Passarela Professor Darcy Ribeiro, which also marks the location of the Samba Museum.
www.archdaily.com:
Brightly colored confetti and sequined samba queens covered the newly renovated Sambadrome in Rio de Janeiro, marking the beginning of the 2012 world-famous annual Carnival. Designed by Brazil's legendary architect Oscar Niemeyer, the Sambadrome was originally constructed during the first government of Leonel Brizola (1983 '' 1987) in an effort to provide Rio with an urban facility that would serve ermanent location of the traditional spectacle of the samba school's parade. Inaugurated in 1984, the Sambadrome is also known as the Catwalk Professor Darcy Ribeiro out of respect to the man who moved the parade to its current site.
In preparation of the ever-growing annual Carnival and the 2016 Olympics, the Sambadrome has undergone renovations to expand the 60,000 person capacity to 90,000. Concrete stadium seating is broken into separate sectors, offerings a variety of seating arrangements and amenities, as they line the 700-meter-long Parading Avenue. Each year, the long catwalk is overcome by the Samba Schools of Brazil in the event known as the world's largest festival. The end of the catwalk is marked by a grand arc, located in Apotheosis Square, which also serves as the location of the Museum of Samba.
www.wikipedia.org:
The Sambadrome Marquês de Sapucaà is a purpose-built parade area built for the Rio Carnival in Rio de Janeiro, Brazil. The venue is also known as Passarela Pro Darcy Ribeiro or simply the Sambódromo in Portuguese or Sambadrome in English. It is located in the downtown area of Cidade Nova in Rio de Janeiro, and is the place where samba schools parade competitively each year during the Rio Carnival. The parades attract many thousands of Brazilians and foreign tourists each year, and the structure is also used as a multi-purpose performance venue. The structures of the Sambadrome were designed by the architect Oscar Niemeyer (1907''2012), and represent his first major work after the end of the Brazilian dictatorship of 1964''1985.
www.wikipedia.org:
Oscar Ribeiro de Almeida Niemeyer Soares Filho (December 15, 1907 '' December 5, 2012), known as Oscar Niemeyer (Brazilian Portuguese: [ˈoskaÊ ni.eˈmajeÊ]), was a Brazilian architect considered to be one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasàlia, a planned city that became Brazil's capital in 1960, as well as hiion with other architects on the headquarters of the United Nations in New York. His exploration of the aesthetic possibilities of reinforced concrete was highly influential in the late 20th and early 21st centuries.
Both lauded and criticized for being a "sculptor of monuments", Niemeyer was hailed as a great artist and one of the greatest architects of his generation by his supporters. He said his architecture was strongly influenced by Le Corbusier, but in an interview, assured that this "didn't prevent [his] architecture from going in a different direction". Niemeyer was most famous for his use of abstract forms and curves and wrote in his memoirs:
'I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein.'
Niemeyer was educated at the Escola Nacional de Belas Artes at the Federal University of Rio de Janeiro, and after graduating, he worked at his father's typography house and as a draftsman for local architectural firms. In the 1930s, he interned with Lúcio Costa, with the pair collaborating on the design for the Palácio Gustavo Capanema in Rio de Janeiro. Niemeyer's first major project was a series of buildings for Pampulha, a planned suburb north of Belo Horizonte. His work, especially on the Church of Saint Francis of Assisi, received crital acclaim and drew international attention. Throughout the 1940s and 1950s, Niemeyer became one of Brazil's most prolific architects, working both domestically and overseas. This included the design of the Edifàcio Copan (a large residential building in Sào Paulo) and a collaboration with Le Corbusier (and others) on the United Nations Headquarters, which yielded invitations to teach at Yale University and the Harvard Graduate School of Design.
In 1956, Niemeyer was invited by Brazil's new president, Juscelino Kubitschek, to design the civic buildings for Brazil's new capital, which was to be built in the centre of the country, far from any existing cities. His designs for the National Congress of Brazil, the Cathedral of Brasàlia, the Palácio da Alvorada, the Palácio do Planalto, and the Supreme Federal Court, all designed by 1960, were experimental and linked by common design elements. This work led to his appointment as inaugural head of architecture at the University of Brasàlia, as well as honmembership of the American Institute of Architects. Due to his largely left-wing ideology, and involvement with the Brazilian Communist Party (PCB), Niemeyer left the country after the 1964 military coup and opened an office in Paris. He returned to Brazil in 1985, and was awarded the prestigious Pritzker Architecture Prize in 1988. A socialist and atheist from an early age, Niemeyer had spent time in both Cuba and the Soviet Union during his exile, and on his return served as the PCB's president from 1992 to 1996. Niemeyer continued working at the end of the 20th and early 21st century, notably designing the Niterói Contemporary Art Museum (1996) and the Oscar Niemeyer Museum (2002). Over a career of 78 years he designed approximately 600 projects. Niemeyer died in Rio de Janeiro on December 5, 2012, at the age of 104.
Apotheosis Square, or Praça da Apoteose, is part of the Sambadrome Marquês de Sapucaà, the purpose built stadium of Rio Carnival that hosts the annual parade of Samba Schools. Praça da Apoteose was designed by the father of modern Brazilian architecture Oscar Niemeyer and is located in the area at the end of the Samba runway between the allocated chairs (cadeiras) of sectors 12 and 13. The Apotheosis Square is recognized by the grand arches installed at the end of the Passarela Professor Darcy Ribeiro, which also marks the location of the Samba Museum.
www.archdaily.com:
Brightly colored confetti and sequined samba queens covered the newly renovated Sambadrome in Rio de Janeiro, marking the beginning of the 2012 world-famous annual Carnival. Designed by Brazil's legendary architect Oscar Niemeyer, the Sambadrome was originally constructed during the first government of Leonel Brizola (1983 '' 1987) in an effort to provide Rio with an urban facility that would serve ermanent location of the traditional spectacle of the samba school's parade. Inaugurated in 1984, the Sambadrome is also known as the Catwalk Professor Darcy Ribeiro out of respect to the man who moved the parade to its current site.
In preparation of the ever-growing annual Carnival and the 2016 Olympics, the Sambadrome has undergone renovations to expand the 60,000 person capacity to 90,000. Concrete stadium seating is broken into separate sectors, offerings a variety of seating arrangements and amenities, as they line the 700-meter-long Parading Avenue. Each year, the long catwalk is overcome by the Samba Schools of Brazil in the event known as the world's largest festival. The end of the catwalk is marked by a grand arc, located in Apotheosis Square, which also serves as the location of the Museum of Samba.
www.wikipedia.org:
The Sambadrome Marquês de Sapucaà is a purpose-built parade area built for the Rio Carnival in Rio de Janeiro, Brazil. The venue is also known as Passarela Pro Darcy Ribeiro or simply the Sambódromo in Portuguese or Sambadrome in English. It is located in the downtown area of Cidade Nova in Rio de Janeiro, and is the place where samba schools parade competitively each year during the Rio Carnival. The parades attract many thousands of Brazilians and foreign tourists each year, and the structure is also used as a multi-purpose performance venue. The structures of the Sambadrome were designed by the architect Oscar Niemeyer (1907''2012), and represent his first major work after the end of the Brazilian dictatorship of 1964''1985.
www.wikipedia.org:
Oscar Ribeiro de Almeida Niemeyer Soares Filho (December 15, 1907 '' December 5, 2012), known as Oscar Niemeyer (Brazilian Portuguese: [ˈoskaÊ ni.eˈmajeÊ]), was a Brazilian architect considered to be one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasàlia, a planned city that became Brazil's capital in 1960, as well as hiion with other architects on the headquarters of the United Nations in New York. His exploration of the aesthetic possibilities of reinforced concrete was highly influential in the late 20th and early 21st centuries.
Both lauded and criticized for being a "sculptor of monuments", Niemeyer was hailed as a great artist and one of the greatest architects of his generation by his supporters. He said his architecture was strongly influenced by Le Corbusier, but in an interview, assured that this "didn't prevent [his] architecture from going in a different direction". Niemeyer was most famous for his use of abstract forms and curves and wrote in his memoirs:
'I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein.'
Niemeyer was educated at the Escola Nacional de Belas Artes at the Federal University of Rio de Janeiro, and after graduating, he worked at his father's typography house and as a draftsman for local architectural firms. In the 1930s, he interned with Lúcio Costa, with the pair collaborating on the design for the Palácio Gustavo Capanema in Rio de Janeiro. Niemeyer's first major project was a series of buildings for Pampulha, a planned suburb north of Belo Horizonte. His work, especially on the Church of Saint Francis of Assisi, received crital acclaim and drew international attention. Throughout the 1940s and 1950s, Niemeyer became one of Brazil's most prolific architects, working both domestically and overseas. This included the design of the Edifàcio Copan (a large residential building in Sào Paulo) and a collaboration with Le Corbusier (and others) on the United Nations Headquarters, which yielded invitations to teach at Yale University and the Harvard Graduate School of Design.
In 1956, Niemeyer was invited by Brazil's new president, Juscelino Kubitschek, to design the civic buildings for Brazil's new capital, which was to be built in the centre of the country, far from any existing cities. His designs for the National Congress of Brazil, the Cathedral of Brasàlia, the Palácio da Alvorada, the Palácio do Planalto, and the Supreme Federal Court, all designed by 1960, were experimental and linked by common design elements. This work led to his appointment as inaugural head of architecture at the University of Brasàlia, as well as honmembership of the American Institute of Architects. Due to his largely left-wing ideology, and involvement with the Brazilian Communist Party (PCB), Niemeyer left the country after the 1964 military coup and opened an office in Paris. He returned to Brazil in 1985, and was awarded the prestigious Pritzker Architecture Prize in 1988. A socialist and atheist from an early age, Niemeyer had spent time in both Cuba and the Soviet Union during his exile, and on his return served as the PCB's president from 1992 to 1996. Niemeyer continued working at the end of the 20th and early 21st century, notably designing the Niterói Contemporary Art Museum (1996) and the Oscar Niemeyer Museum (2002). Over a career of 78 years he designed approximately 600 projects. Niemeyer died in Rio de Janeiro on December 5, 2012, at the age of 104.