Art@Site Emmanuel Fremiet Renommee des Sciences

Emmanuel Fremiet


Renommee des Sciences

Pont Alexandre III
The Pont Alexandre III is a deck arch bridge that spans the Seine in Paris. It connects the Champs-elysees quarter with those of the Invalides and Eiffel Tower. The bridge is widely regarded as the most ornate, extravagant bridge in the city.[2][3] It is classified as a French Monument historique.
The Beaux-Arts style bridge, with its exuberant Art Nouveau lamps, cherubs, nymphs and winged horses at either end, was built between 1896 and 1900. It is named after Tsar Alexander III, who had concluded the Franco-Russian Alliance in 1892. His son Nicholas II laid the foundation stone in October 1896. The style of the bridge reflects that of the Grand Palais, to which it leads on the right bank.
The construction of the bridge is a marvel of 19th century engineering, consisting of a 6 metres (20 ft) high single span steel arch. The design, by the architects Joseph Cassien-Bernard and Gaston Cousin, was subject to strict controls that prevented the bridge from obscuring the view of the Champs-elysees or the Invalides.
The bridge was built by the engineers Jean Resal and Amedee d'Alby. It was inaugurated in 1900 for the Exposition Universelle (universal exhibition) World's Fair, as were the nearby Grand Palais and Petit Palais.
Numerous sculptors provided the sculptures that feature prominently on the bridge. Four gilt-bronze statues of Fames watch over the bridge, supported on massive 17 metres (56 ft) masonry socles, that provide stabilizing counterweight for the arch, without interfering with monumental views. The socles are crowned by Fames restraining Pegasus.
On the Right Bank, Renommee des Sciences ("Fame of the Sciences") and the Renommee des Arts ("Fame of the Arts") both by Emmanuel Fremiet; at their bases, La France Contemporaine ("Contemporary France") by Gustave Michel and France de Charlemagne ("France of Charlemagne") by Alfred Lenoir. The lions groups are by Georges Gardet.
On the Left Bank, the Renommee du Commerce ("Fame of Commerce") by Pierre Granet and the Renommee de l'Industrie ("Fame of Industry") by Clement Steiner; at their bases France de la Renaissance ("France of the Renaissance") by Jules Coutan and La France de Louis XIV ("France of Louis XIV") by Laurent Marqueste. The lions groups are by Jules Dalou.