Artist:
Barbara Hepworth
Title:
Two Forms, Divided Circle
Year:
1969
Adress:
Tel Aviv Museum
www.wikipedia.org:
Two Forms (Divided Circle) is a bronze sculpture by Barbara Hepworth, designed in 1969. Six numbered copies were cast, plus one (0/6) retained by the sculptor. The sculpture's dimensions are 2,370 centimetres (930 in) by 2,340 centimetres (920 in) by 54 centimetres (21 in).
The front of the base has"Barbara Hepworth 1969" inscribed on it followed by the number of the sculpture, as well as"Morris | Singer | Founders | London", both inscribed by casting.
The sculpture is considered to be one of Britain's most recognisable works.
The sculpture is late work by Hepworth, created only 6 years before her death in a fire at her studio in St Ives in 1975. It includes two vertical bronze semi-circles forming a broken circle approximately 2 metres (6 ft 7 in) across, each pieced pierced by one large hole. Both elements are welded to a bronze base. All three elements are hollow, and were cast in London by Morris Singer.
Hepworth designed the work after being diagnosed with cancer in 1966. She wanted the viewer's body to be engaged with her work, saying:"You can climb through the Divided Circle – you don't need to do it physically to experience it." Hepworth also made a series of nine maquettes about 14.5 inches (370 mm) tall, Maquette for Divided Circle, cast in polished bronze.
www.israelpublicart.com:
"Carving to me is more interesting than modelling, because there is an unlimited variety of materials from which to draw inspiration. Each material demands a particular treatment and there are an infinite number of subjects in life each to be re-created in a particular material. In fact, it would be possible to carve the same subject in a different stone each time, throughout life, without a repetition of form.
If a pebble or an egg can be enjoyed for the sake of its shape only, it is one step towards a true appreciation of sculpture."
From Hepworth's statement in the series"Contemporary English Sculptors", The Architectural Association Journal, London, vol. XLV, no. 518, April 1930, p. 384.
www.wikipedia.org:
Dame Jocelyn Barbara Hepworth DBE (10 January 1903 – 20 May 1975) was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Early life
Jocelyn Barbara Hepworth was born on 10 January 1903 in Wakefield, West Riding of Yorkshire, the eldest child of Gertrude and Herbert Hepworth. Her father was a civil engineer for the West Riding County Council, who in 1921 advanced to the role of County Surveyor. Hepworth attended Wakefield Girls' High School, where she was awarded music prizes at the age of 12 and won a scholarship to study at the Leeds School of Art from 1920. It was there that she met her fellow Yorkshireman, Henry Moore. They became friends and established a friendly rivalry that lasted professionally for many years.
Despite the difficulties of attempting to gain a position in what was a male-dominated environment, Hepworth successfully won a county scholarship to attend the Royal College of Art (RCA) in London and studied there from 1921 until she was awarded the diploma of the Royal College of Art in 1924.
Early career
Following her studies at the RCA, Hepworth travelled to Florence, Italy, in 1924 on a West Riding Travel Scholarship. Hepworth was also the runner-up for the Prix-de-Rome, which the sculptor John Skeaping won. After travelling with him to Siena and Rome, Hepworth married Skeaping on 13 May 1925 in Florence. In Italy, Hepworth learned how to carve marble from sculptor Giovanni Ardini. Hepworth and Skeaping returned to London in 1926, where they exhibited their works together from their flat. Their son Paul was born in London in 1929. In 1931, Hepworth met and fell in love with abstract painter Ben Nicholson; however, both were still married at the time. At Hepworth's request, she and Skeaping were divorced that year.
Her early work was highly interested in abstraction and art movements on the continent. In 1931, Hepworth was the first to sculpt the pierced figures that are characteristic of both her own work and, later, that of Henry Moore. They would lead in the path to modernism in sculpture. In 1933, Hepworth travelled with Nicholson to France, where they visited the studios of Jean Arp, Pablo Picasso, and Constantin Brâncuși. Hepworth later became involved with the Paris-based art movement, Abstraction-Création. In 1933, Hepworth co-founded the Unit One art movement with Nicholson and Paul Nash, the critic Herbert Read, and the architect Wells Coates. The movement sought to unite Surrealism and abstraction in British art.
Hepworth also helped raise awareness of continental artists amongst the British public. In 1937, she designed the layout for Circle: An International Survey of Constructivist Art, a 300-page book that surveyed Constructivist artists and that was published in London and edited by Nicholson, Naum Gabo, and Leslie Martin.
Hepworth, with Nicholson, gave birth to triplets in 1934: Rachel, Sarah, and Simon. Hepworth, atypically, found a way to both take care of her children and continue producing her art. "A woman artist", she argued, "is not deprived by cooking and having children, nor by nursing children with measles (even in triplicate) – one is in fact nourished by this rich life, provided one always does some work each day; even a single half hour, so that the images grow in one's mind." Hepworth married Nicholson on 17 November 1938 at Hampstead Register Office in north London, following his divorce from his wife Winifred. Rachel and Simon also became artists.
Two Forms (Divided Circle) is a bronze sculpture by Barbara Hepworth, designed in 1969. Six numbered copies were cast, plus one (0/6) retained by the sculptor. The sculpture's dimensions are 2,370 centimetres (930 in) by 2,340 centimetres (920 in) by 54 centimetres (21 in).
The front of the base has"Barbara Hepworth 1969" inscribed on it followed by the number of the sculpture, as well as"Morris | Singer | Founders | London", both inscribed by casting.
The sculpture is considered to be one of Britain's most recognisable works.
The sculpture is late work by Hepworth, created only 6 years before her death in a fire at her studio in St Ives in 1975. It includes two vertical bronze semi-circles forming a broken circle approximately 2 metres (6 ft 7 in) across, each pieced pierced by one large hole. Both elements are welded to a bronze base. All three elements are hollow, and were cast in London by Morris Singer.
Hepworth designed the work after being diagnosed with cancer in 1966. She wanted the viewer's body to be engaged with her work, saying:"You can climb through the Divided Circle – you don't need to do it physically to experience it." Hepworth also made a series of nine maquettes about 14.5 inches (370 mm) tall, Maquette for Divided Circle, cast in polished bronze.
www.israelpublicart.com:
"Carving to me is more interesting than modelling, because there is an unlimited variety of materials from which to draw inspiration. Each material demands a particular treatment and there are an infinite number of subjects in life each to be re-created in a particular material. In fact, it would be possible to carve the same subject in a different stone each time, throughout life, without a repetition of form.
If a pebble or an egg can be enjoyed for the sake of its shape only, it is one step towards a true appreciation of sculpture."
From Hepworth's statement in the series"Contemporary English Sculptors", The Architectural Association Journal, London, vol. XLV, no. 518, April 1930, p. 384.
www.wikipedia.org:
Dame Jocelyn Barbara Hepworth DBE (10 January 1903 – 20 May 1975) was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Early life
Jocelyn Barbara Hepworth was born on 10 January 1903 in Wakefield, West Riding of Yorkshire, the eldest child of Gertrude and Herbert Hepworth. Her father was a civil engineer for the West Riding County Council, who in 1921 advanced to the role of County Surveyor. Hepworth attended Wakefield Girls' High School, where she was awarded music prizes at the age of 12 and won a scholarship to study at the Leeds School of Art from 1920. It was there that she met her fellow Yorkshireman, Henry Moore. They became friends and established a friendly rivalry that lasted professionally for many years.
Despite the difficulties of attempting to gain a position in what was a male-dominated environment, Hepworth successfully won a county scholarship to attend the Royal College of Art (RCA) in London and studied there from 1921 until she was awarded the diploma of the Royal College of Art in 1924.
Early career
Following her studies at the RCA, Hepworth travelled to Florence, Italy, in 1924 on a West Riding Travel Scholarship. Hepworth was also the runner-up for the Prix-de-Rome, which the sculptor John Skeaping won. After travelling with him to Siena and Rome, Hepworth married Skeaping on 13 May 1925 in Florence. In Italy, Hepworth learned how to carve marble from sculptor Giovanni Ardini. Hepworth and Skeaping returned to London in 1926, where they exhibited their works together from their flat. Their son Paul was born in London in 1929. In 1931, Hepworth met and fell in love with abstract painter Ben Nicholson; however, both were still married at the time. At Hepworth's request, she and Skeaping were divorced that year.
Her early work was highly interested in abstraction and art movements on the continent. In 1931, Hepworth was the first to sculpt the pierced figures that are characteristic of both her own work and, later, that of Henry Moore. They would lead in the path to modernism in sculpture. In 1933, Hepworth travelled with Nicholson to France, where they visited the studios of Jean Arp, Pablo Picasso, and Constantin Brâncuși. Hepworth later became involved with the Paris-based art movement, Abstraction-Création. In 1933, Hepworth co-founded the Unit One art movement with Nicholson and Paul Nash, the critic Herbert Read, and the architect Wells Coates. The movement sought to unite Surrealism and abstraction in British art.
Hepworth also helped raise awareness of continental artists amongst the British public. In 1937, she designed the layout for Circle: An International Survey of Constructivist Art, a 300-page book that surveyed Constructivist artists and that was published in London and edited by Nicholson, Naum Gabo, and Leslie Martin.
Hepworth, with Nicholson, gave birth to triplets in 1934: Rachel, Sarah, and Simon. Hepworth, atypically, found a way to both take care of her children and continue producing her art. "A woman artist", she argued, "is not deprived by cooking and having children, nor by nursing children with measles (even in triplicate) – one is in fact nourished by this rich life, provided one always does some work each day; even a single half hour, so that the images grow in one's mind." Hepworth married Nicholson on 17 November 1938 at Hampstead Register Office in north London, following his divorce from his wife Winifred. Rachel and Simon also became artists.