www.canarywharf.com:
Geometry and flat saturated colour are the focal points of Sophie Smallhorn s practice. Her palette of coloured vinyls is deceptively simple: proportion and composition are manipulated to create playful, pleasing juxtapositions.
Smallhorn trained in furniture design, moving into sculpture after graduating. She has since undertaken a range of international exhibitions and commissions, including an installation in One Canada Square in 2004.
www.jealousgallery.com:
Sophie's work explores the relationships between colour, volume and proportion across prints, sculpture and site specific installations.
Compared to public art and wall sculptures, screenprinting offers a degree of creative freedom. She often works alongside friend and fellow Look Up artist Kate Gibb, and while their work couldn t be more different, they share a sense of adventure, exploring the creative potential of print, revealing new ideas and happy accidents.
Geometry and flat saturated colour are the focal points of Sophie Smallhorn s practice. Her palette of coloured vinyls is deceptively simple: proportion and composition are manipulated to create playful, pleasing juxtapositions.
Smallhorn trained in furniture design, moving into sculpture after graduating. She has since undertaken a range of international exhibitions and commissions, including an installation in One Canada Square in 2004.
www.jealousgallery.com:
Sophie's work explores the relationships between colour, volume and proportion across prints, sculpture and site specific installations.
Compared to public art and wall sculptures, screenprinting offers a degree of creative freedom. She often works alongside friend and fellow Look Up artist Kate Gibb, and while their work couldn t be more different, they share a sense of adventure, exploring the creative potential of print, revealing new ideas and happy accidents.